A handful of years ago Andrew C Ferguson wrote a football fiction short story which featured in The Hope that Kills Us. He’s since written a good deal more fiction – you can read some of it and learn a bit about the man at Writers’ Bloc. Recently he published The Secret of Scottish Football (reviewed two weeks) which included the highly anticipated sequel. His answers were so generous, I had to split the interview. This is the second part.
the simplest game: The football seems to be a vehicle to look at a dark aspect of the country’s culture. Was this a deliberate ploy? Was it because there were things you had to say? Or did you find that the football wasn’t enough on its own?
Andrew C Ferguson: Sometimes I only find out what a story’s about when I’ve written it (which often means I have to rewrite it). But Nae Cunt was always going to be about Tam, how he manages to deal with the pressures of his talent, and his relationship with Goggsy, the narrator. And of course it’s also about the Scottish condition: the heavy reliance on alcohol, the lack of confidence in ourselves, and that black diamond of our humour.
tsg:You’ve also written a sequel. What made you come back to this story?
acf:Actually, this will sound really big-headed, but other people did! The other guys in Writers’ Bloc (the spoken word outfit behind Bloc Press) were wanting me to put together a chapbook of my stories, and I kept giving them other stuff, and they kept saying, why don’t you do more Fife football fairy stories? So I thought of a sequel – basically what Goggsy did next, and as soon as I had him appointed as coach to the Scotland squad, I knew exactly where it was all headed. The third story in the chapbook, The Secret of Scottish Football, was more difficult at first, but I think it turned out well – it’s a send up of all that Dan Brown conspiracy theory crap that’s about these days. I used to work for the Council in Kirkcaldy, so a whole lot of stuff that I’d been mentally filing away for years – the Monday Club, the story about Jimmy Johnstone working on the Esplanade after he retired – all came together for it.
tsg:What do you think it is about football that appeals to you as an author?
acf:Funnily enough I wrote a story about cricket too a couple of years ago which got some good reviews, but because it was about cricket it could carry a theme about the relationships between the cricket playing countries. It even got a reprint in an anthology of Muslim science fiction! When it comes to football, it’s such an ingrained part of Scottish culture that when I think of football I think of the Scottish version of it. When you play cricket in Scotland you feel like a tourist in your own country, and I know I’m wasting my time saying one of the best all-rounders I played with was a working class lad fae Methil. On the other hand, if you’re Scottish, and especially if you’re male, you grow up playing it, talking about it, dreaming of beating England in the last minute of extra time in the World Cup Final with a goal that’s better than Archie Gemmill’s. If such a thing is possible. So if you want to write something set in male Scottish culture, it’s a no brainer, really.
tsg:There’s a theory that men prefer reading non-fiction over fiction – it’s been posited as a reason for the dearth of football fiction. Another is that footballers are better at expressing themselves with a ball than a pen, why do you think there is so little fiction about such a popular sport?
acf:I think that your first statement is certainly true of literary fiction, although I’m not sure it’s so true about the genres. I’m sure the success of Trainspotting can be partially traced to guys feeling comfortable with being seen with a book that everyone knew is about tough characters with lots of violence and drug-taking. Whereas they might not want to be seen reading something about relationships like the Time Traveller’s Wife, or Beyond Black, to mention two relatively recent novels which I’ve read and enjoyed. Both, incidentally, packaged as mainstream when one of them uses time travel and another is about a psychic interacting with a particularly nasty version of the afterlife.
Maybe the way to go for football is to fictionalise a real life account. The book I’ve enjoyed most in the past year was David Peace’s novel about Brian Clough’s time with Leeds, Damned United, which I thought was just stunning. It gets you inside Clough’s head and wrestling with his demons in a way that no biography could ever dare to. It was one of those books that was so good, I didn’t want to go to see the film because I didn’t think anyone could do it justice. So far as sportsmen writing their own autobiographies are concerned, I don’t think we should expect too much. As you say footballers express themselves with the ball at their feet. But any fiction that is just about football would be a hard sell. The Hope That Kills Us did well because most of its stories were really about more than football.
And there it is. The Simplest Game would like to thank Mr Ferguson for his time, his help, his intelligent answers and for the patience he has shown in the face of much pestering. There will be more interviews in the coming weeks. We’ve a few reviews and some of my PhD reserach to discuss as well.